In June I had the opportunity to participate in the event called
Nada Dada Motel. Artist from around the city rented rooms from three hotels to display their art, June 14-17. I worked with three other artists and for a lack of a better word we termed ourselves, costume artists. We, Killbuck, Mary Crawley, and Geoffrey Nelson joined our different creative abilities together and created a space that was a smash hit. Killbuck and Mary was mostly Steampunk, Geoffrey mostly burning man and I, historical.
This was interpretation on a whole new level for me, but this is interpretation at the core of costuming, personification, transformation.
I so agree with what Killbuck wrote about our theme that I copied it here from
Room of Costume
Thematic
Description:
“Fashion is conformative- Costume is
transformative”
At the moment the first ancient
shaman wrapped an animal hide around his body to emulate the spirit of the
animal, costume was born. Differentiated from functional protective clothing or
fashion, costume is set apart by the essential role it plays in art, theater,
entertainment, community and spirituality. Not associated with trend or
aspired-to social conformity, costume is timeless and
non-conformist.
Deeply associated with creative
activities and contexts, costume changes the wearer in ways fashion cannot.
Costume transforms us into real, mythical or popular culture characters; it
changes our personality; it frees us to act out, and encourages the viewer to
act along.
Costume often employs materials,
methods and techniques of master artists and artisans with meticulous detail,
ingenious structural design, incongruous textures, rich colors and forms.
Costume artists often expand their traditional needle and thread with hammers,
drills, rivets and heat guns. Cloth, leather and traditional materials are often
augmented with non-traditional ingredients like plastics, metals, expanding foam
or heat forming polymers.
Costume artists may create intricate
re-creations of historic costumes of the past, or ignore historic reality and
create costumes that previously only existed in the artist’s imagination. In
the case of the Steampunk genre, costume artists create their visions of
Victorian science fiction-alternate futurism by blending elegant Victorian
foundations with the trappings and equipment required in an imaginary today,
where the transistor was never invented, and civilization is still powered by
steam. In this case, past fashion influences costume and the costume influences
modern fashion. Similar circles can be seen in the costume culture evolving out
of the annual Burning Man Project.
As it has been for centuries and
will be for centuries more, the art of costume is the dress of the special
event, the special circumstance, performance, ceremony or ritual. From Mardi
Gras to masquerade ball, Comic-Cons to Ren-faires, theater footlight to Burning
Man, costume is an integral art, and a part of the culture that makes us
human.
A few pictures of our "room" at the Wildflower Villiage Motel.
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| The view entering in the door |
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| Coming in the door |
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| I love the ceiling and walls of our "tent", it gave it a real Steampunk feel. |
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| Killbucks creations |
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| Mary's
creations. She does the most amazing Steampunk Chatelaines. Mary was explaining
the original use of the Chatelaines and one patron summed it up when Mary
finish by saying "oh I see, it's a Victorian utility knife". I do
have a few of my Steampunk creations in Mary's room as they didn't
"fit" in the historical room. My creations are the winged backpack,
hat with wings and boots with wings. |
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| Geoffery is an award winning photographer of Burning Man Costumes, plus he has created a few himself. |
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| The sign as you enter around the corner from the "tent" and across from Geoffrey's protraits |
